Describe your current roles in philanthropy and the hat you wear at AFN.
I work for Mott Philanthropic (no relation to the CS Mott Foundation) serving as a consultant and staff to a number of different philanthropies around the country. My personal work focuses on tax policy, Just Transition, and the arts, and we have other staff who also work in K-12, early, and arts education. With those various hats on, I participate in a number of different spaces: Funders’ Committee for Civic Participation (FCCP), Engaged Donors for Global Equity (EDGE), Environmental Grantmakers Association (EGA), Grantmakers in the Arts (GIA), and Grantmakers for Education (GFE), among others.
At the Appalachia Funders Network I’m primarily wearing my Chorus Foundation hat. Chorus Foundation has been around for about 12 years, but in the last 3-4 years we’ve changed our strategy to be primarily focused on Just Transition, and to be much more place-based. One of the places we’re focused on is Eastern Kentucky and the transition that is happening in that region with the decline of coal mining. We’re working with local advocates and organizers to help support a vision of the future of Eastern Kentucky with justice at the center.
At Chorus, though we came out of a climate and environmental space, our interests are much broader than that. We think about our work as at the intersection of climate, democracy, and economy, and also at the intersection of building cultural power, economic power, and political power. For example, in all of the places where we work, there are grantees advancing a new narrative about what that place should look like and engaging people through arts and culture.Read more
Tell us about your career path and what led you to take the position of Arts Program Officer at The Educational Foundation of America (EFA). How do these experiences inform your work in philanthropy?
Early in my career I was a real estate broker for almost 20 years in Dallas. While in Dallas, I founded a nonprofit that created a linear park, a rail-to-trail park for biking and running in downtown Dallas, The Katy Trail. I really enjoyed the work of putting a board together and a strategic plan, doing a capital campaign and a master plan for the park. Later, I moved to the Hudson Valley and took on the position as the Director of The Shaker Museum. I did that for eight years. I really enjoyed the work of changing the strategy of an older museum, relocating the campus, doing some historic preservation work, and thinking about the future of rural museums. Ultimately, I decided I really wanted to be on the other side of the equation and be giving away money instead of asking for money. I was interested in the job at EFA because of the kind of work they were doing in creative placemaking, since it brought together the work I had been doing in my nonprofit career, which was both arts and place-based. The Shaker museum is a national historic landmark historic site. The Katy Trail was really a creative placemaking project, although they didn’t call it that then. The position was a perfect fit for me.Read more
This learning call featured a collection of leading practitioners and funders who work on agroforestry and forest farming around the region. They shared key concepts and definitions, highlighted current projects taking place across the region, and emphasized the economic potential, environmental impact, and cultural significance of this sector for Appalachia's communities and rural landowners. To download a pdf of the slides from the webinar presentation, click here.